Legal age limit for dating in south carolina, what is the age of consent

Legal age limit for dating in south carolina, what is the age of consent

Bass 6 , to Typical wear on a ‘s Fender maple fingerboard. Fingerboard Material Maple fingerboard, s: This was the standard neck on all models until when the Jazzmaster was introduced with a rosewood fingerboard; the rest of the Fender models changed to rosewood fingerboards in mid Rosewood fingerboard, “Slab” Brazilian , to That is, the bottom of the fingerboard was flat and the board was fairly thick. A picture of a slab board neck as seen from the “butt” of the neck can be seen in this picture. Also shown is the difference between reissue and original slab board necks. The Musicmaster family also used slab fingerboards usually Indian rosewood for about a year from Sept to Oct

Dating a silverface fender amp

The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code. The remaining 3 or 4 digits are the date code.

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History The 5B6 Bassman During , the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15″ speaker. It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias. In the cabinet designs were changed to the so-called “Wide Panel” design, with a 5 inch wide tweed covered panel above and below a wider swath of grill cloth. Fender ceased production of 5B6 Bassman amplifiers during the spring of The 5D6 was a major departure from the earlier 5B6 Fender Bassman model.

The circuit had two innovations: No schematic for the 5D6 circuit has ever been found, but Ken Fox and Frank Roy have created a few from originals, and copies are freely available online. Only 11 of these early 5D6 Bassman examples are known to have survived. These rare few are known to sound better than the revered 5F6-A circuit. Narrow panel models, to Fender began making other models with tweed covering, a similar open backed cabinet with a rectangular grill cloth and a narrow just over an inch wide tweed covered panel at the top and bottom.

Dating silverface deluxe reverb

The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well. In addition, the dating-by-serial number tables have been revised and are more accurate.

The bad news is that there is still a lot of work that needs to be done on the silverface amps.

Dating your Fender by the serial number By Greg Gagliano. Bandmaster 5C7, 5D7 (tweed) to – to – Bandmaster 5E7 (tweed).

The output transformer in Fender amps in this era were well overbuilt but a 4ohm transformer really can only handle a 2 to 4ohm load, 4 ohms total being the optimal. To double that at 8ohm puts incredible strain on the OT and this is why you see so many bassman amp with replaced Output transformers.. Not to pick on you but because guys plugged in 8ohm cabs and said exactly what you did. To affirm what I am saying I will find Billy Zoom’s quote on this very thing.

You can obviously choose to do as you wish but sooner than later you will harm your vintage amp. The bass channel is not a “bass” channel even though Leo Fender tried his hardest to make bass players dig it.

Blackface that Fender Silerface amp

The first Fender solidbody model, the Esquire , lasted in name only from June to October This model name was replaced by the “Broadcaster”, which lasted in name only from the October to January All Broadcasters have truss rods, where many Esquires often have no truss rod. In Gretsch had trademarked the name “BroadKaster” for a line of drums.

Sep 26,  · including “silverface” and “blackface” amps (Applies generally to Fender amps made after and prior to ) In the absence of a tube location chart with rubber-stamped date codes, EIA numbers taken from the transformers may allow you to determine the date of production of your amp.

History[ edit ] The 5B6 Bassman[ edit ] During , the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15″ speaker. It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias. In the cabinet designs were changed to the so-called “Wide Panel” design, with a 5 inch wide tweed covered panel above and below a wider swath of grill cloth.

Fender ceased production of 5B6 Bassman amplifiers during the spring of The 5D6 was a major departure from the earlier 5B6 Fender Bassman model. The circuit had two innovations: No schematic for the 5D6 circuit has ever been found, but Ken Fox and Frank Roy have created a few from originals, and copies are freely available online.

Only 11 of these early 5D6 Bassman examples are known to have survived. Narrow panel models, to [ edit ] Fender began making other models with tweed covering, a similar open backed cabinet with a rectangular grill cloth and a narrow just over an inch wide tweed covered panel at the top and bottom. Produced from until , these models are called the “narrow panel” tweed amps. The 5E6-A Bassman model was introduced later that year and included some evolutionary improvements. By the middle of more than 1, examples of the 5E6 series had been sold.

This model also had four Jensen P10R speakers, but the power supply was redesigned around a single 83 mercury vapor rectifier tube, and a new preamp circuit was introduced that included a three knob tone stack , with separate controls for Treble, Mid and Bass.

Fender Vintage Amp Restoration

Where can I get parts for my Fender Amp? Why isn’t my Fender amp listed in the Field Guide If you’re Fender amp isn’t listed in the guide it is most likely because it is a solid state amp. The guide is an extention of this fascination with tube technology so I have chosen to ignore the models that do not make use of thermionic phenomena for amplification. As for the qustion of tubes vs. What is meant when an amp is referred to as a “black face” Fender?

Contrary to what you might think, this term is not politically incorrect and has nothing to do with Al Jolson.

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If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 and I firmly believe, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size.

Sennheiser e Silver Instrument Mic. The design and specs allow for simply draping over the top and resting on grill cloth if you prefer to not use a mic stand. Also works well with drums. Features include rugged metal body, advanced shock-mount design, super-cardioid pick-up pattern, and hum compensating coil. Includes mic clip and case. Quality Pedaltrain board with a durable padded gig bag made of cordura nylon, with adjustable shoulder strap and gusseted exterior storage pocket for cables, straps, etc.

The pedalboard is on an inclined plane and includes brackets for mounting your favorite power supply underneath the frame.

Sell or keep Fender Bassman head

Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers. It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias. In the cabinet designs were changed to the so-called “Wide Panel” design, with a 5 inch wide tweed covered panel above and below a wider swath of grill cloth.

Fender ceased production of 5B6 Bassman amplifiers during the spring of The circuit had two innovations: No schematic for the 5D6 circuit has ever been found, but Ken Fox and Frank Roy have created a few from originals, and copies are freely available online.

How the “Hand Stamped” Date Code Works. The Code on the tube chart of your Fender Amp is made up of two letters. The First letter equates to the Year and the Second letter to the Month.

This may also be helpful when dating a vintage tube guitar amplifier. Green wire terminated in screw terminal for ground connection to chassis. It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias. Initially intended to amplify bass guitars, the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar, harmonica, and pedal steel guitars. Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers.

Original Fender part number old number Has 6 electrical terminals on bottom of switch DPDT. Button not included, see K below handle strap, replacement for Fender Blues Junior style amps original versions with tweed Tolex.

Dating Your Fender Amp

Converting to cathode bias in the blackface and silverface Bassman circuits, and other Fender amps with fixed bias, is very simple. I became curious as to how many were made. Fender don’t part with that kind of Another transitional event at Fender was the development of the two-piece amp in Partially due to the increased weight of the power and Mesa amps tend to be VERY bassy, so what they do is pair them with a trebly speaker to balance it out.

The Fender Bassman is a bass amplifier introduced by Fender during Initially intended to amplify bass guitar s, the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar, harmonica, and pedal steel guitar s.

The Age of Consent. The term also includes a person lawfully engaged in buying and selling securities for his own account through a broker or otherwise as a part of a regular business. The mother and father are the joint natural guardians of their minor children and are equally charged with the welfare and education of their minor children and the care and management of the estates of their minor children; and the mother and father have equal power, rights, and duties, and neither parent has any right paramount to the right of the other concerning the custody of the minor or the control of the services or the earnings of the minor or any other matter affecting the minor.

This offense carries a minimum sentence of 1 year in prison, and a maximum of 20 years. Otherwise, transferring alcohol to a person under 21 is illegal. Any minor who has reached the age of sixteen years may consent to any health services from a person authorized by law to render the particular health service for himself and the consent of no other person shall be necessary unless such involves an operation which shall be performed only if such is essential to the health or life of such child in the opinion of the performing physician and a consultant physician if one is available.

C Upon return from military service, the military parent’s child support obligation prior to a temporary modification is automatically reinstated, effective on the date the military parent is released from service. Any minor who has been married or has borne a child may consent to health services for the child.

Fender Bassman Blackface

The tube charts are not very useful for determining the circuit model. At the Fender factory they used old tube charts when new models came, probably because the tube layout was the same. Determining production date by serial number and transformer codes is better, and you should also inspect the circuit to be completly sure.

‘Blackface’ that ‘Silverface’ Fender. The Fender ‘silverface’ amps just didn’t sound as good as the ‘blackface’ era for 6 basic reasons: 1) The rectifier tube was changed from a 5AR4/GZ34 to a 5U4.

You must replace them before putting the amplifier up for resale. First up is the input of the 6G6A. The DC coupling is done to keep the phase shifting in the lowest frequencies at a minimum. At the least, replace the. If the cathode follower is not to your liking, you could have the one-half of that 12AX7 to use as you desire. There is more to tweak, beyond the input and tone control stages. Blackface Bassman circuit has interesting possibilities.

Above we see a partial schematic to the seldom-encountered AA Use a bare piece of wire, or move the. I sometimes parallel up the two halves of the 12AX7.

Dating fender bassman ten, dating dolgo

Initially intended to amplify bass guitars , the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar , harmonica , and pedal steel guitars. Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers. History The 5B6 Bassman During , the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15″ speaker.

It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias.

Fender super reverb blackface. DATING TABLES For mid to late ’70s silverface amps and early ’80s “blackface” models, the serial numbers are date encoded much the same way as Fender guitars from the late ’70s: Bassman 5D6, 5D6-A (tweed) to – Bassman 5E6, 5E6-A (tweed).

I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period. Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department.

Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built. For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates.

The boss came around and said what we’d be building. The chassis weren’t used chronologically. Probably the same as the pots and transformers that we just dug out of the boxes.

New Amp Day – 1968 Silverface Bassman


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